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		<title>Fuentes - Historial de revisiones</title>
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	<entry>
		<id>http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1723&amp;oldid=prev</id>
		<title>Centroeuropa en 18:39 24 jun 2019</title>
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				<updated>2019-06-24T18:39:47Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revisión del 18:39 24 jun 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l36&quot; &gt;Línea 36:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Línea 36:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Enrique &amp;#039;&amp;#039;&amp;#039;García Escamilla&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=gwIO8u139vkC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Tlahtolnahuatilli Nahuatl clasico]&amp;#039;&amp;#039;. Plaza y Valdés, 1995.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Enrique &amp;#039;&amp;#039;&amp;#039;García Escamilla&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=gwIO8u139vkC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Tlahtolnahuatilli Nahuatl clasico]&amp;#039;&amp;#039;. Plaza y Valdés, 1995.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Joaquín &amp;#039;&amp;#039;&amp;#039;García Icazbalceta&amp;#039;&amp;#039;&amp;#039;: [http://www.cervantesvirtual.com/obra-visor/carta-acerca-del-origen-de-la-imagen-de-nuestra-senora-de-guadalupe-de-mexico--0/html/b28296be-844c-4ebe-a169-2732231ce572_2.html &amp;#039;&amp;#039;Carta acerca del origen de la imagen de Nuestra Señora de Guadalupe de México&amp;#039;&amp;#039;]. México, 1896.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Cruz Alberto &amp;#039;&amp;#039;&amp;#039;González Díaz&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Miguel León-Portilla y la interpretación del mito en La filosofía náhuatl estudiada en sus fuentes 1956-2006&amp;#039;&amp;#039;. Universidad de Colima, 2017, 168 páginas. [[Archivo:Gonzalezdiaz.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Cruz Alberto &amp;#039;&amp;#039;&amp;#039;González Díaz&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Miguel León-Portilla y la interpretación del mito en La filosofía náhuatl estudiada en sus fuentes 1956-2006&amp;#039;&amp;#039;. Universidad de Colima, 2017, 168 páginas. [[Archivo:Gonzalezdiaz.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Centroeuropa</name></author>	</entry>

	<entry>
		<id>http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1722&amp;oldid=prev</id>
		<title>Centroeuropa en 17:31 24 jun 2019</title>
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				<updated>2019-06-24T17:31:34Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Revisión anterior&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revisión del 17:31 24 jun 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l90&quot; &gt;Línea 90:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Línea 90:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rémi &amp;#039;&amp;#039;&amp;#039;Siméon&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=92WU5bamcTQC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Diccionario de la lengua náhuatl o mexicana]&amp;#039;&amp;#039; (1885). Siglo XXI, 1981, 783 páginas.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rémi &amp;#039;&amp;#039;&amp;#039;Siméon&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=92WU5bamcTQC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Diccionario de la lengua náhuatl o mexicana]&amp;#039;&amp;#039; (1885). Siglo XXI, 1981, 783 páginas.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jody Brant &amp;#039;&amp;#039;&amp;#039;Smith&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.com.mx/books?id=A3RglEgD7isC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false The Image of Guadalupe]&amp;#039;&amp;#039;. Mercer University Press, 1994 132 páginas.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Nancy E. &amp;#039;&amp;#039;&amp;#039;van Deusen&amp;#039;&amp;#039;&amp;#039;: “Coming to Castile with Cortés: Indigenous &amp;#039;Servitude&amp;#039; in the Sixteenth Century”, &amp;#039;&amp;#039;Ethnohistory&amp;#039;&amp;#039;, 62:1 (March 2015), 285-308. [[Archivo:Vandeusen.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Nancy E. &amp;#039;&amp;#039;&amp;#039;van Deusen&amp;#039;&amp;#039;&amp;#039;: “Coming to Castile with Cortés: Indigenous &amp;#039;Servitude&amp;#039; in the Sixteenth Century”, &amp;#039;&amp;#039;Ethnohistory&amp;#039;&amp;#039;, 62:1 (March 2015), 285-308. [[Archivo:Vandeusen.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Centroeuropa</name></author>	</entry>

	<entry>
		<id>http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1721&amp;oldid=prev</id>
		<title>Centroeuropa en 13:49 24 jun 2019</title>
		<link rel="alternate" type="text/html" href="http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1721&amp;oldid=prev"/>
				<updated>2019-06-24T13:49:47Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Revisión anterior&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revisión del 13:49 24 jun 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot; &gt;Línea 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Línea 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Carlos María de &amp;#039;&amp;#039;&amp;#039;Bustamante&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=rdswAQAAMAAJ&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false La aparición de Ntra. Señora de Guadalupe de México]: comprobada con la refutación del argumento negativo que presenta D. Juan Bautista Muñoz, fundándose en el testimonio del P. Fr. Bernardino Sahagún, ó sea, historia original de este escritor que altera la publicada en 1829 en el equivocado concepto de ser la única y original de dicho autor&amp;#039;&amp;#039;. I. Cumplido, 1840, 247 páginas.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Carlos María de &amp;#039;&amp;#039;&amp;#039;Bustamante&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=rdswAQAAMAAJ&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false La aparición de Ntra. Señora de Guadalupe de México]: comprobada con la refutación del argumento negativo que presenta D. Juan Bautista Muñoz, fundándose en el testimonio del P. Fr. Bernardino Sahagún, ó sea, historia original de este escritor que altera la publicada en 1829 en el equivocado concepto de ser la única y original de dicho autor&amp;#039;&amp;#039;. I. Cumplido, 1840, 247 páginas.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Philip S. &amp;#039;&amp;#039;&amp;#039;Callahan&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;The Tilma Under Infra-red Radiation: An Infrared and Artistic Analysis of the Image of the Virgin Mary in the Basilica of Guadalupe&amp;#039;&amp;#039;. Center for Applied Research in the Apostolate, 1981, 45 páginas.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ignacio &amp;#039;&amp;#039;&amp;#039;Carochi&amp;#039;&amp;#039;&amp;#039;, Ignacio de &amp;#039;&amp;#039;&amp;#039;Paredes&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=GU-gYdhH59IC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Compendio del arte de la lengua mexicana]&amp;#039;&amp;#039;. México, Imprenta de la Biblioteca Mexicana, 1759, 202 páginas.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ignacio &amp;#039;&amp;#039;&amp;#039;Carochi&amp;#039;&amp;#039;&amp;#039;, Ignacio de &amp;#039;&amp;#039;&amp;#039;Paredes&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=GU-gYdhH59IC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Compendio del arte de la lengua mexicana]&amp;#039;&amp;#039;. México, Imprenta de la Biblioteca Mexicana, 1759, 202 páginas.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Centroeuropa</name></author>	</entry>

	<entry>
		<id>http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1720&amp;oldid=prev</id>
		<title>Centroeuropa en 13:35 24 jun 2019</title>
		<link rel="alternate" type="text/html" href="http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1720&amp;oldid=prev"/>
				<updated>2019-06-24T13:35:01Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Revisión anterior&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revisión del 13:35 24 jun 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot; &gt;Línea 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Línea 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Luis &amp;#039;&amp;#039;&amp;#039;Becerra Tanco&amp;#039;&amp;#039;&amp;#039;: Nuestra Señora de Guadalupe y origen de su milagrosa imagen. Por el Br. Luis Becerra Tanco, presbítero (publicada por primera vez en 1666). Sexta edición, México, Imprenta y Litografía Española, 1883, 50 páginas. [http://www.adabi.org.mx/vufind/Record/200500 El original de 1666 consta de 24 hojas]. [[Archivo:Becerratanco.PDF]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Luis &amp;#039;&amp;#039;&amp;#039;Becerra Tanco&amp;#039;&amp;#039;&amp;#039;: Nuestra Señora de Guadalupe y origen de su milagrosa imagen. Por el Br. Luis Becerra Tanco, presbítero (publicada por primera vez en 1666). Sexta edición, México, Imprenta y Litografía Española, 1883, 50 páginas. [http://www.adabi.org.mx/vufind/Record/200500 El original de 1666 consta de 24 hojas]. [[Archivo:Becerratanco.PDF]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Juan José &amp;#039;&amp;#039;&amp;#039;Benítez&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;El m̲isterio de la Virgen de Guadalupe: sensacionales descubrimientos en los ojos de la Virgen mexicana&amp;#039;&amp;#039;. Planeta, 1982, 326 páginas.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Carlos María de &amp;#039;&amp;#039;&amp;#039;Bustamante&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=rdswAQAAMAAJ&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false La aparición de Ntra. Señora de Guadalupe de México]: comprobada con la refutación del argumento negativo que presenta D. Juan Bautista Muñoz, fundándose en el testimonio del P. Fr. Bernardino Sahagún, ó sea, historia original de este escritor que altera la publicada en 1829 en el equivocado concepto de ser la única y original de dicho autor&amp;#039;&amp;#039;. I. Cumplido, 1840, 247 páginas.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Carlos María de &amp;#039;&amp;#039;&amp;#039;Bustamante&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=rdswAQAAMAAJ&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false La aparición de Ntra. Señora de Guadalupe de México]: comprobada con la refutación del argumento negativo que presenta D. Juan Bautista Muñoz, fundándose en el testimonio del P. Fr. Bernardino Sahagún, ó sea, historia original de este escritor que altera la publicada en 1829 en el equivocado concepto de ser la única y original de dicho autor&amp;#039;&amp;#039;. I. Cumplido, 1840, 247 páginas.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Centroeuropa</name></author>	</entry>

	<entry>
		<id>http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1719&amp;oldid=prev</id>
		<title>Centroeuropa en 13:14 24 jun 2019</title>
		<link rel="alternate" type="text/html" href="http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1719&amp;oldid=prev"/>
				<updated>2019-06-24T13:14:05Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revisión del 13:14 24 jun 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot; &gt;Línea 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Línea 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Cruz Alberto &amp;#039;&amp;#039;&amp;#039;González Díaz&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Miguel León-Portilla y la interpretación del mito en La filosofía náhuatl estudiada en sus fuentes 1956-2006&amp;#039;&amp;#039;. Universidad de Colima, 2017, 168 páginas. [[Archivo:Gonzalezdiaz.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Cruz Alberto &amp;#039;&amp;#039;&amp;#039;González Díaz&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Miguel León-Portilla y la interpretación del mito en La filosofía náhuatl estudiada en sus fuentes 1956-2006&amp;#039;&amp;#039;. Universidad de Colima, 2017, 168 páginas. [[Archivo:Gonzalezdiaz.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ángel Camiro &amp;#039;&amp;#039;&amp;#039;Gutiérrez Zamora&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;La imagen histórica de la Virgen de Guadalupe&amp;#039;&amp;#039;. Editorial Diana, 1990, 196 páginas.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;J. R. &amp;#039;&amp;#039;&amp;#039;Hernández&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Azcaxochitl o la flecha de oro. Leyenda histórica azteca&amp;#039;&amp;#039;. México, 1878, 87 páginas. [[Archivo:Azcaxochitl.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;J. R. &amp;#039;&amp;#039;&amp;#039;Hernández&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Azcaxochitl o la flecha de oro. Leyenda histórica azteca&amp;#039;&amp;#039;. México, 1878, 87 páginas. [[Archivo:Azcaxochitl.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Centroeuropa</name></author>	</entry>

	<entry>
		<id>http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1718&amp;oldid=prev</id>
		<title>Centroeuropa en 11:17 23 jun 2019</title>
		<link rel="alternate" type="text/html" href="http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1718&amp;oldid=prev"/>
				<updated>2019-06-23T11:17:37Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revisión del 11:17 23 jun 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l58&quot; &gt;Línea 58:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Línea 58:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Dos figuras en la Utopía Franciscana de Nueva España: Fray Juan de Zumárraga y fray Martín de Valencia&amp;quot;. Páginas 333-344 de &amp;#039;&amp;#039;Caravelle&amp;#039;&amp;#039;, nº 76-77, Toulouse, 2001, Hommage à Georges Baudot. [[Archivo:Utopia.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Dos figuras en la Utopía Franciscana de Nueva España: Fray Juan de Zumárraga y fray Martín de Valencia&amp;quot;. Páginas 333-344 de &amp;#039;&amp;#039;Caravelle&amp;#039;&amp;#039;, nº 76-77, Toulouse, 2001, Hommage à Georges Baudot. [[Archivo:Utopia.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fernando &amp;#039;&amp;#039;&amp;#039;Ojeda Llanes&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=vKs_5-oNOGoC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Decodificando el Tepeyac]&amp;#039;&amp;#039;. IvePress, Nueva York, 2007, 204 páginas.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Justyna &amp;#039;&amp;#039;&amp;#039;Olko&amp;#039;&amp;#039;&amp;#039;: &amp;quot;Traje y atributos del poder en el mundo azteca: Significados y funciones contextuales&amp;quot;. &amp;#039;&amp;#039;Anales del Museo de América&amp;#039;&amp;#039;, 14 (Madrid, 2006, 422 páginas), páginas 61-88. [[Archivo:Turquesa.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Justyna &amp;#039;&amp;#039;&amp;#039;Olko&amp;#039;&amp;#039;&amp;#039;: &amp;quot;Traje y atributos del poder en el mundo azteca: Significados y funciones contextuales&amp;quot;. &amp;#039;&amp;#039;Anales del Museo de América&amp;#039;&amp;#039;, 14 (Madrid, 2006, 422 páginas), páginas 61-88. [[Archivo:Turquesa.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Centroeuropa</name></author>	</entry>

	<entry>
		<id>http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1717&amp;oldid=prev</id>
		<title>Centroeuropa en 21:51 22 jun 2019</title>
		<link rel="alternate" type="text/html" href="http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1717&amp;oldid=prev"/>
				<updated>2019-06-22T21:51:08Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;es&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Revisión anterior&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revisión del 21:51 22 jun 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot; &gt;Línea 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Línea 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Virgilio P. &amp;#039;&amp;#039;&amp;#039;Elizondo&amp;#039;&amp;#039;&amp;#039;, Allan &amp;#039;&amp;#039;&amp;#039;Figueroa Deck&amp;#039;&amp;#039;&amp;#039;, Timothy M. &amp;#039;&amp;#039;&amp;#039;Matovina&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=O1uypxaJUlMC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false The Treasure of Guadalupe]&amp;#039;&amp;#039;. Rowman &amp;amp; Littlefield, Lanhm (Maryland, EE.UU.)-Oxford (Reino Unido), 2006, 134 páginas.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Virgilio P. &amp;#039;&amp;#039;&amp;#039;Elizondo&amp;#039;&amp;#039;&amp;#039;, Allan &amp;#039;&amp;#039;&amp;#039;Figueroa Deck&amp;#039;&amp;#039;&amp;#039;, Timothy M. &amp;#039;&amp;#039;&amp;#039;Matovina&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=O1uypxaJUlMC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false The Treasure of Guadalupe]&amp;#039;&amp;#039;. Rowman &amp;amp; Littlefield, Lanhm (Maryland, EE.UU.)-Oxford (Reino Unido), 2006, 134 páginas.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Virginia &amp;#039;&amp;#039;&amp;#039;García Acosta&amp;#039;&amp;#039;&amp;#039;, Juan Manuel &amp;#039;&amp;#039;&amp;#039;Pérez Zevallos&amp;#039;&amp;#039;&amp;#039;, América &amp;#039;&amp;#039;&amp;#039;Molina del Villar&amp;#039;&amp;#039;&amp;#039;: [https://books.google.es/books?id=tgqmCDKcmtYC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Desastres agrícolas en México. Catálogo Histórico. Tomo I: Epocas prehispánica y colonial (958-1822)]. Fondo de Cultura Económica, México, CIESAS, 2003, 506 páginas.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Enrique &amp;#039;&amp;#039;&amp;#039;García Escamilla&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=gwIO8u139vkC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Tlahtolnahuatilli Nahuatl clasico]&amp;#039;&amp;#039;. Plaza y Valdés, 1995.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Enrique &amp;#039;&amp;#039;&amp;#039;García Escamilla&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=gwIO8u139vkC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Tlahtolnahuatilli Nahuatl clasico]&amp;#039;&amp;#039;. Plaza y Valdés, 1995.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Centroeuropa</name></author>	</entry>

	<entry>
		<id>http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1713&amp;oldid=prev</id>
		<title>Centroeuropa en 14:27 21 jun 2019</title>
		<link rel="alternate" type="text/html" href="http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1713&amp;oldid=prev"/>
				<updated>2019-06-21T14:27:19Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;es&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Revisión anterior&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revisión del 14:27 21 jun 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l47&quot; &gt;Línea 47:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Línea 47:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Jongsoo &amp;#039;&amp;#039;&amp;#039;Lee&amp;#039;&amp;#039;&amp;#039; y Galen &amp;#039;&amp;#039;&amp;#039;Brokaw&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=1JnJAwAAQBAJ&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Texcoco. Prehispanic and Colonial Perspectives]&amp;#039;&amp;#039;. University Press of Colorado, 2014, 288 páginas.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Jongsoo &amp;#039;&amp;#039;&amp;#039;Lee&amp;#039;&amp;#039;&amp;#039; y Galen &amp;#039;&amp;#039;&amp;#039;Brokaw&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=1JnJAwAAQBAJ&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Texcoco. Prehispanic and Colonial Perspectives]&amp;#039;&amp;#039;. University Press of Colorado, 2014, 288 páginas.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Miguel &amp;#039;&amp;#039;&amp;#039;León-Portilla&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=9EhTBAAAQBAJ La tinta negra y roja: Antología de poesía náhuatl]&amp;#039;&amp;#039;.Edición bilingüe.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Miguel &amp;#039;&amp;#039;&amp;#039;León-Portilla&amp;#039;&amp;#039;&amp;#039;: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;[https://books.google.es/books?id=3MveZCsIBBcC&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false De Teotihuacán a los aztecas: antología de fuentes e interpretaciones históricas]&amp;#039;&amp;#039;. UNAM, México, 1995 (original de 1971), 611 páginas.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;[https://books.google.es/books?id=9EhTBAAAQBAJ La tinta negra y roja: Antología de poesía náhuatl]&amp;#039;&amp;#039;.Edición bilingüe.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Carlos Fernando &amp;#039;&amp;#039;&amp;#039;López de la Torre&amp;#039;&amp;#039;&amp;#039;: &amp;quot;El trabajo misional de fray Pedro de Gante en los inicios de la Nueva España&amp;quot;, p. 92-118 de &amp;#039;&amp;#039;Fronteras de la Historia&amp;#039;&amp;#039;, Vol. 21, N.˚ 1, enero-junio de 2016, Colombia, 208 páginas. [[Archivo:Gante.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Carlos Fernando &amp;#039;&amp;#039;&amp;#039;López de la Torre&amp;#039;&amp;#039;&amp;#039;: &amp;quot;El trabajo misional de fray Pedro de Gante en los inicios de la Nueva España&amp;quot;, p. 92-118 de &amp;#039;&amp;#039;Fronteras de la Historia&amp;#039;&amp;#039;, Vol. 21, N.˚ 1, enero-junio de 2016, Colombia, 208 páginas. [[Archivo:Gante.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Centroeuropa</name></author>	</entry>

	<entry>
		<id>http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1691&amp;oldid=prev</id>
		<title>Centroeuropa en 08:35 18 jun 2019</title>
		<link rel="alternate" type="text/html" href="http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1691&amp;oldid=prev"/>
				<updated>2019-06-18T08:35:57Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;es&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Revisión anterior&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revisión del 08:35 18 jun 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l68&quot; &gt;Línea 68:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Línea 68:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Cecilio Agustín &amp;#039;&amp;#039;&amp;#039;Robelo&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://www.yumpu.com/es/document/read/17161487/vocabulario-comparativo-castellano-y-nahuatl Vocabulario comparativo castellano y náhuatl]&amp;#039;&amp;#039;. Cuernavaca, 1888.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Cecilio Agustín &amp;#039;&amp;#039;&amp;#039;Robelo&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://www.yumpu.com/es/document/read/17161487/vocabulario-comparativo-castellano-y-nahuatl Vocabulario comparativo castellano y náhuatl]&amp;#039;&amp;#039;. Cuernavaca, 1888.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mario &amp;#039;&amp;#039;&amp;#039;Rojas Sánchez&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=6kIrDwAAQBAJ&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Guadalupe: Symbol of Evangelization]&amp;#039;&amp;#039;. Ibukku, 2017, 374 páginas.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Miguel &amp;#039;&amp;#039;&amp;#039;Sabido&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=apLgDQAAQBAJ&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Teatro sagrado: Los &amp;quot;coloquios&amp;quot; de México]&amp;#039;&amp;#039;. Siglo XXI, México, 2014, 386 páginas.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Miguel &amp;#039;&amp;#039;&amp;#039;Sabido&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=apLgDQAAQBAJ&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Teatro sagrado: Los &amp;quot;coloquios&amp;quot; de México]&amp;#039;&amp;#039;. Siglo XXI, México, 2014, 386 páginas.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Centroeuropa</name></author>	</entry>

	<entry>
		<id>http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1685&amp;oldid=prev</id>
		<title>Centroeuropa en 00:18 18 jun 2019</title>
		<link rel="alternate" type="text/html" href="http://centroeu.com/garabandal/w/index.php?title=Fuentes&amp;diff=1685&amp;oldid=prev"/>
				<updated>2019-06-18T00:18:38Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;es&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Revisión anterior&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revisión del 00:18 18 jun 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l70&quot; &gt;Línea 70:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Línea 70:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Miguel &amp;#039;&amp;#039;&amp;#039;Sabido&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=apLgDQAAQBAJ&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Teatro sagrado: Los &amp;quot;coloquios&amp;quot; de México]&amp;#039;&amp;#039;. Siglo XXI, México, 2014, 386 páginas.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Miguel &amp;#039;&amp;#039;&amp;#039;Sabido&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[https://books.google.es/books?id=apLgDQAAQBAJ&amp;amp;printsec=frontcover&amp;amp;hl=es#v=onepage&amp;amp;q&amp;amp;f=false Teatro sagrado: Los &amp;quot;coloquios&amp;quot; de México]&amp;#039;&amp;#039;. Siglo XXI, México, 2014, 386 páginas.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bernardino de &amp;#039;&amp;#039;&amp;#039;Sahagún&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;[http://cdigital.dgb.uanl.mx/la/1080012524_C/1080012524_C.html Historia general de las Cosas de Nueva España]&amp;#039;&amp;#039;. México: Impr. del Ciudadano A. Valdés, 1829.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Charles &amp;#039;&amp;#039;&amp;#039;Senard&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Libro de pinturas es mi corazón. Nezahualcóyotl (1402-1472), el rey-poeta de Texcoco&amp;#039;&amp;#039; (Basado en la obra de J.L. Martínez: Nezahualcóyotl). [[Archivo:Charles_senard_libro_de_pinturas.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Charles &amp;#039;&amp;#039;&amp;#039;Senard&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Libro de pinturas es mi corazón. Nezahualcóyotl (1402-1472), el rey-poeta de Texcoco&amp;#039;&amp;#039; (Basado en la obra de J.L. Martínez: Nezahualcóyotl). [[Archivo:Charles_senard_libro_de_pinturas.pdf]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Centroeuropa</name></author>	</entry>

	</feed>